Pietro Fragiacomo
(Pirano deIstria (Trieste), 1856 - Venice, 1922) was an Italian painter. Born at Pirano deIstria near Trieste, Fragiacomo moved with his family to Venice, where he enrolled at the Academy of Fine Arts in 1878 after a period as a worker in Treviso. He then abandoned his studies barely one year later to devote himself more freely to painting from life, often in the company of his friend the painter Giacomo Favretto. He won a bronze medal at the Universal Exhibition of 1889 in Paris and took part in the Munich International Exhibition of the same year, as well as later editions. Drawing inspiration from the Venetian lagoon and always characterised by a crepuscular sense of nature, his landscapes took on Symbolist overtones at the end of the century. He won the Prince Umberto Prize at the Milan Triennale of 1891 and was a regular participant from 1895 to 1922 at the Venice Biennale, which held a solo show of his work in 1910 and a posthumous retrospective in 1924.
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Pietro Fragiacomo Die Piazza San Marco oil painting


Die Piazza San Marco
1899(1899) Medium oil on wood Dimensions 145 x 84 cm (57.1 x 33.1 in) cjr
Painting ID::  89197 		Pietro Fragiacomo
Die Piazza San Marco
1899(1899) Medium oil on wood Dimensions 145 x 84 cm (57.1 x 33.1 in) cjr
   
   
     
Pietro Fragiacomo Venezia povera oil painting


Venezia povera
1882(1882) Medium oil on canvas Dimensions 78 x 147 cm cyf
Painting ID::  98044 		Pietro Fragiacomo
Venezia povera
1882(1882) Medium oil on canvas Dimensions 78 x 147 cm cyf
   
   
     
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     Pietro Fragiacomo
     (Pirano deIstria (Trieste), 1856 - Venice, 1922) was an Italian painter. Born at Pirano deIstria near Trieste, Fragiacomo moved with his family to Venice, where he enrolled at the Academy of Fine Arts in 1878 after a period as a worker in Treviso. He then abandoned his studies barely one year later to devote himself more freely to painting from life, often in the company of his friend the painter Giacomo Favretto. He won a bronze medal at the Universal Exhibition of 1889 in Paris and took part in the Munich International Exhibition of the same year, as well as later editions. Drawing inspiration from the Venetian lagoon and always characterised by a crepuscular sense of nature, his landscapes took on Symbolist overtones at the end of the century. He won the Prince Umberto Prize at the Milan Triennale of 1891 and was a regular participant from 1895 to 1922 at the Venice Biennale, which held a solo show of his work in 1910 and a posthumous retrospective in 1924.

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